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A Beautiful Beginning,
a short story by Leah Martin

First published in Seven Wedding Tales, stories by the Southwind Writers, Ha'penny Press

How but in custom and in ceremony
Are innocence and beauty born?

—William Butler Yeats

Playing bride started in earnest around Valentine's Day and kept momentum through early spring flowers, especially the spirea, and sometimes even lasted until the milkweed bloomed in the pasture beyond the house--though the weed made a smelly bouquet. The McIntyre girls, Rita, Toni, Betsy, Susan, and Jill, preteened and newly teened, were inspired by their mother, who used their tresses to practice the latest of hair styles for the February Bridal Show at the Country Club, always called "A Beautiful Beginning."

Being the eldest and naturally bossy, Rita was the bride. She orchestrated these Saturday events, though by mid-morning she had to bribe her younger sisters with Tootsie Rolls. Imitating mother, she'd slick down their hair with a wet comb and fashion ringlets around their ears while they watched cartoons. Toni and Betsy gathered bridesmaid bouquets of whatever happened in the yard at the time. Lilacs, peonies, or pink roses off the trellis were the favorite. But the blooming spirea was for the bride. Cutting long strands with garden shears, the girls bobby pinned the green shrub covered with clusters of tiny white flowers into Rita's dark hair and fashioned much smaller wreaths for their own heads, because they could never outdo the bride.

Breezy days allowed lace and satin, safety-pinned onto the shoulders of mother's old prom dresses, to float as the girls processed down the drive with Mendelssohn blaring from the portable record player lodged into the bathroom window. And if they were lucky, they could entice the youngest, the last of the McIntyre sisters, two-year-old Amy, to throw flower petals.

Flower petals--be they even pink rose petals--didn't soften the revolution of the McIntyre sisters when they grew out of college and into the world during the eighties, and when they received news some seventeen years later--in 1998--that their baby sister Amy was to be married in June.

"It's going to be a full-tilt boogie. The works. Cousins, aunts, uncles coming out of the woodwork," announced Rita into the phone to her sister, Toni. "Engaged on Valentines Day! Do they still do that sort of thing?"

"I remember reading some theory that early marriages are a sign of deep insecurity," mused Toni. "She's so young . . . barely twenty. Has anyone talked to her about options?" Toni still swung between moods of exhilarating freedom and the fresh pain of a recent divorce from a fellow writing professor. "Being young means exploring the world, before settling and regretting the choice at age twenty-eight, doesn't it?"

"Oh . . . who knows." Cradling the phone against her ear and shoulder, Rita arranged a bouquet of calla lilies in the back of her shop. "I suspect she wants me to do her flowers. Frankly, I'm sick of flowers and candelabra and brides and their cranky mothers who don't have a clue about elegance and whose flower dreams usually outweigh their financial means." Rita heaved a heavy sigh. "Which is why David and I married in Vegas. Cheap. Simple. Cement. Flashing lights. Over in no time."

"Ours was so spontaneous." Toni's eyes watered. "Under the Bali stars with the hum of mating insects as background music. Maybe the vows weren't authentic since they were spoken in Balinese." Her wedding reflections had soured as the divorce proceedings turned bitter. "The whole thing was so surreal. It had to have been the wine. A writer should never marry another writer. You know, Rita...I just don't want Amy to make the same mistake."

"I know. I know."


In March, Mrs. McIntyre left proud messages on the answering machines of all five McIntyre sisters. Amy and Paul want everyone involved. The next four months will be very busy. We'll keep in touch.

Her message sent off a rash of e-mail.

"No comment. No comment," wrote Jill. "I'm just putting hands over my eyes and ears."

"Don't play ostrich, Jill," responded Susan. "I suspect that you'll be the fourth bridesmaid to walk the aisle. What happened to our youngest sister? She was so healthy growing up. A tomboy riding horses and playing ball. Never owned a doll. Never spent weeks playing wedding or thumbing through the BRIDE magazine like her elder sisters."

And Betsy, who lived the furthest from the vortex, was last to respond. "A storybook wedding? Does she watch too many soap operas? Any change that this might get called off ?"

For the McIntyre girls had grown into the McIntyre women in a town of six thousand, and were known as dark-haired attractive, vivacious, strong-willed, and strong-minded. They prided themselves on their unconventional life arrangements and, if there had to be one, an unconventional wedding.

Betsy married because she and Richard wanted children. They exchanged vows in front of a cactus and a fiddle-playing judge in the Arizona desert, where they collected wild flower seeds for a living, and where Mr. and Mrs. McIntrye looked out of place. Honeymooning in Hawaii, they trekked to the top of a volcanic-made hill, built a nest, and conceived twins. "We'll name them Ceres and Apollo," Betsy wrote on a photo exposing her huge belly.

Between various jobs and medical school, Susan never managed to stay in one place long enough. Upon receiving her medical license, she now doctored in Western Colorado, climbed mountains, dated a different doctor every year, and never considered marriage. "They just don't give me enough space. I've gotta have space."

Jill, the youngest of the five, coached women's basketball at a small college in the winter and spent summers in Montana with her live-in where they rode Harleys and gave fly-fishing tours. Each holiday, she mailed a Christmas greeting complete with a picture of her three horses and five dogs. "Seasons greetings--from my family to yours."


The consensus of the McIntyre women was that Amy, just barely twenty and fresh out of beauty school, had finally given their mother and father the desired daughter. Mrs. McIntyre cued the sisters on the wedding's progression every two weeks. Please mark you calendars for the weekend of June 15th. The happy day! Amy is keeping her colors a secret. She has her bridesmaids selected and her invitations ready to mail.


The e-mail exchange between the McIntyre women was especially busy after that report.

"What do you mean, she doesn't want her own sisters as bridesmaids?"

"Well there is a seven to twelve year difference. We might not look so great in those empire waist dresses."

"Anybody heard from Susan?"

"Susan's not talking. With the wedding in the middle of the month, she won't have the three weeks she needs to climb Mt. Baker. Her work is all consuming. And she is complaining her life might look great to anyone not living it."

"Do young brides these days really believe there is such thing as a perfect wedding?"

"How about their mothers?"

"There is this theory that the need for perfection is an illusory notion that runs deep through our youth because we don't want to face reality."

"Wait till Amy has kids. The romance wears off pretty fast after the third load of diapers."


In early April, Mrs. McIntyre mailed a thick packet of wedding details from start to finish.

Ladies,

Amy has worked very hard to include you in ways that show your talent. Rita, we need you to design the bouquets for the garden party after the wedding. Don't worry about the bridal bouquet and the church flowers. They're taken care of. Amy plans to pick and chill three hundred peonie blossoms.

Toni, since you are a writer, we thought you could post the menu and write name cards for the dinner party. Betsy, I'll need your help in keeping the twins in line. They'll have big jobs as flower girl and ringer bearer. Susan, there's a bag of medical supplies in case someone gets sick. All your cousins and their children will attend. I can't imagine we'll survive the day without one causality.

And Jill, since you are a coach and since you are so wonderful with organizing events, we've given you the job of making sure everyone has a seat for the dinner. Ladies, it's going to be a beautiful beginning.

"Can you believe it?" Rita asked in the next round of e-mail. "Does the bride-to-be not talk to anyone except her mother ?"

"You know, last time mother called, she never even asked how my life was going. She's consumed."

"Peonie bulbs . . . must mean pink. What color is Ceres wearing?"

"Light creme. Like the bride. Evening brides always wear creme."

"There is theory that weddings cause emotions to run rampant in families."

"Can someone tell them there is no such thing as a perfect wedding? There is no such thing as a perfect life."

In the middle of April, after each McIntyre sister received an gold embossed invitation to Amy's wedding, the messages from Mrs. McIntyre suddenly stopped. The conspicuous silence drew all sorts of speculation.

Only Betsy, the mother of the flower girl, could presume what might have happened. "Mother telephoned. I think she was near tears. Her voice shook anyway and she told me to wait awhile before starting on Cere's dress. No stated reason. You know mother--if there's a problem, she won't talk about it. She'll just say that whatever happens is God's will."

"Well, they’ve sent out nearly three hundred invitations. God's will or not, they better let people know if there's a problem. The sooner the better."

"I called Mrs. James the other day to get measurements on the country club tent. She thinks Amy and Paul had a fight. Rumor has it that Paul was flirting at the lake with another classmate."

"What does Paul do anyway?"

"He works for his father's construction company." "They're just too young! I suspect they’re getting married and having a huge wedding because they believe marriage solves everything. Marrying Eric only amplified my problems."

"The great thing about elopement is that if there are problems--nobody knows. Privacy. One learns its value after you play enough of the expected games."

"If one of their fights means that I'm sacrificing my yearly climb...."

"Could it be a facade? Amy loves attention. This fight could be part of a heightening drama. There’s this theory. . . ."

For the next three weeks the sisters waited for the announcement that Amy and Paul's wedding plans had been canceled. But, in mid-May, Mrs. McIntyre left word that Betsy could resume working on Cere's dress.

On the day before the wedding, a storm raced through the Midwest, leaving two inches of rain, and greening the countryside. Instead of the usual mugginess, the wind turned, and slight breezes blew from the north. The weather forecast promised an unusual but delightful eighty-five degrees. If the wedding day sunrise, a blush of pinks and lavenders, held any indication, then the sunset would resume with even deeper splendor, exactly matching the colors of Amy's bridesmaids.

A few puffs of summer clouds floated across the sky as the McIntyre sisters decorated the country club and an adjoining white tent for a splendid garden party. Three hundred peonies had promptly bloomed the day before, their scents permeating through the screens, spilling unto a terrace decorated with hanging petunias and ivy vines, trellised pink roses, lilies, and interspersed with silk lilacs and other spring flowers.

Amy and her bridesmaids were in seclusion. Mrs. McIntyre, along with the help of another beautician, dressed their long tresses and manicured their fingertips with French nails. By mid-afternoon, uncles, aunts, and cousins began arriving at the house and the McIntyre sisters found themselves laughing at Uncle Don's jokes and Aunt Veronica's forgetfulness. Cousin Brian, who came all the way from New York City, had grown into such a handsome man. And there were so many new babies and toddlers--the yard full of children. "Don't cousin Craig's boys look just like him? They even grin like him."

Paul and Amy's wedding started at little after six. Light from late afternoon fell through stained glass windows and spread subdued colors across the pews as a small stringed orchestra played Pacheilbel's Canon. Five bridesmaids walked down the aisle in hues of pinks and lavenders--the colors of spring flowers. Looking scared but angelic, Ceres and Apollo tossed pink rose petals. At the altar Ceres ran back to the arms of Mrs. Evelyn McIntyre, and Apollo walked over to the groom. Paul, dignified and handsome in a black tuxedo with a lavender vest, reached down to hold Apollo's hand. The entire church sighed, "Ohhhhh."

Music swelled as Mr. McIntyre with Amy on his arm, started slowly down the aisle. Half way to the altar, John McIntyre had to stop, pull out his handkerchief, and wipe his tears. A resplendent but tremulous Amy, dressed in yards of beaded satin and shimmered tulle, and whose smiling brown eyes had been fixed on Paul, reached over and kissed her father on the cheek.

"She's so gorgeous," whispered Jill.

"When did she grow up?" wondered Susan.

"I've never seen Mom and Dad so happy. And Paul . . . look at him. Last time I saw him, he was in little league. He's a man." "Rita? Rita? Rita, what's the matter?" Betsy whispered as she offered her older sister a Kleenex.

"Why . . . why . . . she's got . . ." Rita sniffed. "Amy's got spirea in her hair."

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